A little over a year ago I published a post on Fitzgerald's book, The Great Gatsby. This weekend a new film version of the book is coming out to much fanfare and hype. Yes, I plan to see it with some skepticism since I have seen so many wonderful classic books totally demolished by Hollywood. But I will give it a chance. I will even give Leonardo a chance despite my memory of Robert Redford in that title role. In celebration of the new interest in Fitzgerald and Gatsby, I am reprinting the blog I wrote with a few tweaks. Next week I'll post my review of the new film. Warning: if you are one of the few people who didn't read this book--or the Cliffs Notes--in high school, this blog post has spoilers.
March 12, 2012:
... A classic novel with layers of meaning, The Great Gatsby is well worth an adult read because it beautifully describes the human yearning to make dreams come true, often at a terrible price. It also examines the nostalgia for a time remembered and the desire to repeat that long ago memory. And-bonus- it contains only nine compact and enchantingly written chapters.
In his novel Fitzgerald attempts to answer two questions about the nature of humans: Can you repeat the past? Can you plan and work hard-no matter what means you use-to make your dreams come true?
The very first time narrator Nick Carroway observes the mysterious Jay Gatsby, he actually sees a shadow, a silhouette of a man, arms stretched out in the darkness toward a green light at the end of Daisy Buchanan's dock.
Beyond that dock live Daisy and her husband, Tom Buchanan, members of the inherited money class, careless people who smash their way through life with total ambivalence toward the feelings of others. Nevertheless, Gatsby remembers Daisy as the golden girl, the love of his life when he first left for WWI. Gatsby believes it is their destiny to be together. Can they repeat the past and make life again contain the innocent love they once had? Can Gatsby climb up those stairs to the world of wealth and privilege to attract Daisy's attention?
Is that dream still possible or has it been defiled by what America has become by the 1920s--a world of gangsters, corrupt politicians, and people of influence with dubious values? Gatsby's will alone pushes him relentlessly on his quest for his lost love. In that plan he surrounds himself with the new rich of the Twenties, scandalous people who had been in prison, bootlegged alcohol, and killed people. But they aid him in his climb to reach the rich, well-guarded plateau that is Daisy's world.
Can innocence be regained in the morally corrupt world that is America in the Twenties? Can Fitzgerald's rapturous descriptions of perfect love and wonderous dreams live again?
In the end, Nick Carroway--the narrator of the story--is left to explain that America was a dream of the old sailors who first discovered her pristine, green, untouched world, and they realized that this New World could become a place of great promise and dreams. By the Twenties, however, reality has changed that dream into a place of moral corruption and hopelessness beneath its Coney Island facade. Gatsby did not realize that sometimes the very best of human yearnings get smashed in the very worst of human nature.
The Great Gatsby is a literary classic and, as such, causes the reader to consider the nature of his own time. "Classic" means a reader also sees new ideas he didn't discern with the first reading. If you haven't picked up a copy of Fitzgerald's book lately, think about doing so. It's well worth your time.
Showing posts with label The Great Gatsby. Show all posts
Showing posts with label The Great Gatsby. Show all posts
Wednesday, May 8, 2013
Revisiting The Great Gatsby
Labels:
1920s,
film,
novels,
Susan Van Kirk,
The Great Gatsby
Tuesday, March 27, 2012
The Great Gatsby Revisited
Like many Americans I watched
the PBS series Downton Abbey with great fascination, and the new season will
explore the Twenties, a time of flappers and liberation after WWI. This Christmas that PBS series will be joined
by the release of a new film version of The Great Gatsby, based on a novel by
F. Scott Fitzgerald, and published in 1925 by Scribner’s. If you are a product of public education in
America you probably read this—or the Cliffs Notes—in high school. A classic novel with layers of meaning, The
Great Gatsby is well worth an adult read because it beautifully describes the
human yearning to make dreams come true, often at a terrible price. And—bonus—it contains only nine compact and
enchantingly written chapters.
In his novel Fitzgerald
attempted to answer two questions about the nature of humans: Can you repeat the past? Can you plan and
work hard—no matter what means you use—to make your dreams come true?
The very first time
narrator Nick Carroway observes the mysterious Jay Gatsby, he actually sees a
shadow, a silhouette of a man, arms stretched out in the darkness toward a
green light at the end of Daisy Buchanan’s dock. Beyond that dock live Daisy and her husband
Tom, members of the inherited money class, careless people who smash their way
through life with total ambivalence toward the feelings of others. Nevertheless, Gatsby remembers Daisy as the
golden girl, the love of his life when he first left for WWI. Gatsby believes it is their destiny to be
together. Can they repeat the past and
make life again contain the innocent love they once had?
Piece by piece the
truth of Gatsby’s background comes together in a story woven of fairy
dust. He came from nothing but had the
enormous imagination to remake himself into a glamorous image of wealth in
order to catch the attention of the enormously rich Daisy. His will alone pushed him relentlessly on in
his quest for his lost love. In that
plan he surrounded himself by the new rich of the Twenties, scandalous people
who had been in prison, bootlegged alcohol, and killed people. But they aided him in his climb to reach the
rich, well-guarded plateau of the Buchanans.
Only tragedy can
result when he finally recaptures his love, but finds the past cannot
be repeated, innocence cannot be regained, and, in the morally corrupt era of
the Twenties, his endeavor comes at a terrible cost. Despite his heartbreaking
ending, Fitzgerald fills his novel with rapturous descriptions of perfect love
and wondrous dreams, two of the uplifting themes that define human yearning.
Nick Carroway, in
the end, is left to explain that America was the dream of the old sailors who
first discovered her green, untouched location, and they realized that this New
World could become a place of great hope and dreams. By the Twenties, however, reality had changed
that dream into a place of moral corruption and hopelessness beneath its Coney
Island facade. Gatsby too did not
realize that sometimes the very best of human yearnings get smashed in the very
worst of human nature.
The Great Gatsby is
a literary classic and, as such, causes the reader to think about his own time
and the nature of humans no matter what the time period. “Classic”
means a reader also sees new ideas he didn’t discern with the first
reading. If you haven’t picked up a copy
of Fitzgerald’s book lately, think about doing so. It’s well worth your time.
Labels:
Downton Abbey,
Fitzgerald,
literary classics,
The Great Gatsby
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