Banned Books Week occurs this year from September 30 to October 6. As a former English teacher of thirty-four years, I have often taught challenged or banned books in a public high school. Some of my favorite banned books are The Great Gatsby, The Grapes of Wrath, To Kill a Mockingbird, Of Mice and Men, Slaughterhouse-Five, and Native Son. If you are not sure you know the titles of banned books, check out this website. And this is only one list of classics that American public school grads often read. The list sometimes includes the Kurt Vonnegut book, Breakfast of Champions. I won't ever forget Vonnegut's novel because it allowed me to experience a parental book challenge.
This challenge lasted six weeks and the flames were fueled by the local media. The parents of a high school junior in my American Literature class wanted the book taken out of the library because it was "pornography and trash" and not suitable for children. They also wanted to form a committee of parents to go into all the district libraries and throw out books they deemed "trash."
Without ever talking to me, the parents launched a media blitz giving newspapers information about the situation and even arranging an on-air interview at a television station an hour north of us. They contacted the principal, superintendent, and the school board, but not me. Their viewpoint was that they were taxpaying citizens who should be able to decide what books were healthy for their own child as well as everyone else's children.
Fortunately, our school library had a policy for selecting books and our district had a policy of steps for those wanting to challenge materials. These steps included the school librarian checking with numerous book review sources, as well as the ALA, to see if this book was considered suitable reading for high school students. She decided it was. The National Council of Teachers of English chimed in as well as the Illinois Association of Teachers of English. All viewed the Vonnegut book as suitable.
Halfway through the storm one of the college students who worked at the local newspaper decided to call Kurt Vonnegut, author of Breakfast of Champions, and get his view on the issue. Needless to say, the conversation was hilarious and Vonnegut was shocked they were not going after Slaughterhouse-5. This emboldened me to write a letter to the author and I added some of the more inflammatory newspaper clippings.
The end of the challenge came when the school board voted neither to ban the book from the library nor to allow parents to go into the school libraries and take out books.
A week later I received a wonderful gift. Kurt Vonnegut had received my letter and clippings and wrote me the funniest letter in return, commenting on his view of book censorship.
The entire story of the book challenge, including excerpts from the media, Vonnegut's letter, and details about the whole book incident, can be found in the longest chapter of my book, The Education of a Teacher (Including Dirty Books and Pointed Looks), available from Amazon or BarnesandNoble.com. In addition, on October 31, 2012, Kurt Vonnegut: Letters, edited by Dan Wakefield, will become available. Vonnegut's correspondence includes numerous letters--many of them humorous--regarding his feelings about censorship.
Showing posts with label censorship. Show all posts
Showing posts with label censorship. Show all posts
Thursday, October 4, 2012
Sunday, July 15, 2012
Peyton Place: A Guilty Pleasure
This afternoon I indulged in a few hours of guilty pleasure. I watched the 1957 movie Peyton Place on the classic movie channel. I felt like I was going back in a time capsule to the 1950s, my formative years before I was in high school. Although the story takes place in the late 30's and goes through WWII, the social mores and fashions were still very much in place in the 1950s when I was growing up in a small Midwestern town.
In 1956 Grace Metalious wrote the novel Peyton Place and it was scandalous because of its subject matter and its thinly veiled characters. I remember my parents talking about it in whispers. [No letting the kids in on this dirty book.] Since scandal sells books, Peyton Place was on The New York Times bestseller list for 59 weeks. The following year it was made into a movie and then spawned a second book, Return to Peyton Place in 1959. That too was made into a film in 1961, and later the books led to two television prime time soap operas by the same names in 1964-1969 (on ABC) and 1972-1974 (on NBC.) The first soap was a springboard for such actors as Mia Farrow and Ryan O'Neal. In 1985 an original television film called Peyton Place: the Next Generation was the final installment. These films, books, and television shows were proof that scandal, incest, adultery, murder, and illegal abortion sells, especially in the repressive 1950s and the changing 1960s and 1970s.
I watched the original Peyton Place today and read that the film's producers hired Metalious as a consultant on the film, but in name only. She stated that she hated the film because it was a highly censored version of her scandalous book. In the 1950s the Hays Code (an early set of motion picture censorship guidelines), was in effect and films could not include certain subjects if they wanted to get out of the can and into theatres. That repressive code was in effect from 1930-1968, and it later led to the more lenient film labels we have today [amazingly more lenient.] The film was nominated for nine Academy Awards and the ticket sales increased exponentially when one of the film's actors, Lana Turner, was involved in a real life scandal. Her daughter killed Turner's abusive mobster lover, Johnny Stompanto.
So what is the story about? It follows the lives of three women in a small New England mill town. Constance McKenzie (Lana Turner) is a sexually repressed "widow" who is trying to keep her daughter Allison (Diane Varsi) from following in her footsteps. Constance is the single woman all suspicious married women keep their eyes on and she owns a dress shop. It later turns out that she had an affair with a married man, resulting in Allison. Her daughter Allison chafes at the constraints on teenage girls at that time and vows to become a New York writer and publish a book about Peyton Place. She hates the small town gossip and atmosphere that suspects all teenagers of having sex outside of marriage. In fact, she has to order a book about sex that is mailed in a brown wrapper in order to find out anything about the subject. The third woman is Selena Cross (Hope Lange) whose stepfather rapes her, an act resulting in an unplanned pregnancy. The kindly Dr. Swain (Lloyd Nolan), who knows most of the town's secrets, is put in a position of lying about Selena's miscarriage and calling it an appendectomy. [Believe me, the Hippa code is not in effect at this time!] Most of the scandals come out when Selena goes on trial for killing her stepfather and burying him under the sheep pen. And this is the sanitized version.
My interest in the film was largely in watching the time capsule of my early years. My own children could not begin to understand those repressive times. Women wore dresses, high heels, and white gloves everywhere. They were homemakers and as such were in charge of the children and putting meals on the table. When Allison finds out she is a "bastard" (a word not used because of the Code), she leaves home rather than face the embarrassment. Then there is the elderly spinster teacher who is passed over to be the school principal. Instead the school board, consisting of all business men and one woman [a shock], brought in a "progressive" young man to run the school. He bargained them up to $5,000 from their initial salary offer of $3,000 because he couldn't support himself on a $3,000 principal's salary. Kind of makes you wonder about the teachers' salaries, doesn't it? Of course the main business of adults in town is to have affairs, go prayerfully to church, present a hypocritical face to their children, and--oh yes--worry that their children might get pregnant out of wedlock.
Another theme of the movie was very much in keeping with the 1950s too. Class divides and privilege are main themes and the mill owner is a benevolent employer who takes care of his workers. But he forces his son to stop dating the senior class's "loose girl" because she is not acceptable. Selena Cross' drunken father works as the school janitor and lives with his family in a "shanty town." Selena's boyfriend wants to go to college to become a lawyer but college is very expensive and, unlike the mill owner's son who is going to Harvard, he isn't sure he can afford to do that.
Watching this film was truly a trip back in time. Since my father managed a drive-in theatre, I saw a lot of these theatrical movies when I was in my teenage years. I still remember Where the Boys Are, A Summer Place, and Parrish. They had common themes with Peyton Place: (a) parents are hypocrites (b) teenagers should not touch each other until safely married (c) a woman's only goal must be to become a good homemaker (d) white men rule the universe. No. Don't want to go back to those days anytime soon.
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| Grace Metalious |
I watched the original Peyton Place today and read that the film's producers hired Metalious as a consultant on the film, but in name only. She stated that she hated the film because it was a highly censored version of her scandalous book. In the 1950s the Hays Code (an early set of motion picture censorship guidelines), was in effect and films could not include certain subjects if they wanted to get out of the can and into theatres. That repressive code was in effect from 1930-1968, and it later led to the more lenient film labels we have today [amazingly more lenient.] The film was nominated for nine Academy Awards and the ticket sales increased exponentially when one of the film's actors, Lana Turner, was involved in a real life scandal. Her daughter killed Turner's abusive mobster lover, Johnny Stompanto.
So what is the story about? It follows the lives of three women in a small New England mill town. Constance McKenzie (Lana Turner) is a sexually repressed "widow" who is trying to keep her daughter Allison (Diane Varsi) from following in her footsteps. Constance is the single woman all suspicious married women keep their eyes on and she owns a dress shop. It later turns out that she had an affair with a married man, resulting in Allison. Her daughter Allison chafes at the constraints on teenage girls at that time and vows to become a New York writer and publish a book about Peyton Place. She hates the small town gossip and atmosphere that suspects all teenagers of having sex outside of marriage. In fact, she has to order a book about sex that is mailed in a brown wrapper in order to find out anything about the subject. The third woman is Selena Cross (Hope Lange) whose stepfather rapes her, an act resulting in an unplanned pregnancy. The kindly Dr. Swain (Lloyd Nolan), who knows most of the town's secrets, is put in a position of lying about Selena's miscarriage and calling it an appendectomy. [Believe me, the Hippa code is not in effect at this time!] Most of the scandals come out when Selena goes on trial for killing her stepfather and burying him under the sheep pen. And this is the sanitized version.
My interest in the film was largely in watching the time capsule of my early years. My own children could not begin to understand those repressive times. Women wore dresses, high heels, and white gloves everywhere. They were homemakers and as such were in charge of the children and putting meals on the table. When Allison finds out she is a "bastard" (a word not used because of the Code), she leaves home rather than face the embarrassment. Then there is the elderly spinster teacher who is passed over to be the school principal. Instead the school board, consisting of all business men and one woman [a shock], brought in a "progressive" young man to run the school. He bargained them up to $5,000 from their initial salary offer of $3,000 because he couldn't support himself on a $3,000 principal's salary. Kind of makes you wonder about the teachers' salaries, doesn't it? Of course the main business of adults in town is to have affairs, go prayerfully to church, present a hypocritical face to their children, and--oh yes--worry that their children might get pregnant out of wedlock.
Another theme of the movie was very much in keeping with the 1950s too. Class divides and privilege are main themes and the mill owner is a benevolent employer who takes care of his workers. But he forces his son to stop dating the senior class's "loose girl" because she is not acceptable. Selena Cross' drunken father works as the school janitor and lives with his family in a "shanty town." Selena's boyfriend wants to go to college to become a lawyer but college is very expensive and, unlike the mill owner's son who is going to Harvard, he isn't sure he can afford to do that.
Watching this film was truly a trip back in time. Since my father managed a drive-in theatre, I saw a lot of these theatrical movies when I was in my teenage years. I still remember Where the Boys Are, A Summer Place, and Parrish. They had common themes with Peyton Place: (a) parents are hypocrites (b) teenagers should not touch each other until safely married (c) a woman's only goal must be to become a good homemaker (d) white men rule the universe. No. Don't want to go back to those days anytime soon.
Labels:
censorship,
Grace Metalious,
Peyton Place,
Susan Van Kirk
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